Finally getting around to posting pictures of the work I did Spring semester at UF. I start exploring a new direction - moving the work from wall relief sculpture to working completely in the round. Like most new ideas, I feel it's taken me some time to digest and think about the changes that I made, and the changes that I still need to make.
I won't lie, this change was definitely a struggle for me! There were days when I felt I had no idea what I was doing - technically or conceptually.
I had problems with clay shrinkage and incorporating found objects. I questioned if the ideas I was hoping to covey were coming through in the work. I had work blow up in the kiln! So, several attempts ended up in the trash or with the shards destined to become more stepping stones for our garden.
But, I kept pushing and reminding myself that "when you feel like you know what you're doing, you're probably not growing."
Now that a little time has passed and I've had a few weeks to process the experience, I am excited about this new direction and the possibilities I see for expanding these ideas.
So, here are a few pictures and my artist statement...
Fortis cultivativo, earthenware, steel, glass
Natural and manufactured environments coexist within contemporary urban settings. City parks and botanical gardens are thoughtfully integrated into residential developments and commercial centers. These man-made garden atmospheres seem to emphasize an underlying desire to escape the hectic stress of everyday urban life by surrounding oneself with beautiful, natural environments.
Incrementun multi, earthenware, steel, cast glass
My sculpture focuses on a self created species: a visual hybrid that reflects both nature and industry. These mixed-media works synthesize plant forms like pods, leaves, and stems with radial mechanical elements and machine parts. The link between industry and nature is emphasized further through materiality. The constructed sculptures incorporate materials such as steel and concrete with traditional craft media such as clay and glass. The textured, crusty, surface treatments of the stylized terracotta forms further suggest the coexistence of these worlds.
Evoco vita, earthenware, steel, cast glass, fused glass(Note: Now on view June 3-July5 at "Ancient Arts",
Marion Cultural Alliance; downtown location- Ocala, FL. Opening reception this Friday!)
The imagined hybrids represent the need for balance in our everyday lives. Parallels can be drawn between industry and work, and nature and pleasure as society strives for professional success and personal happiness.Thanks again for reading and following along with the changes and progress in my work.
Best,
Meagan
Marion Cultural Alliance is celebrating the Grand Opening of their newest gallery space near On Top of the World in west Ocala. It is important for me to be involved in my local community, so I am excited to be a part of this inaugural event!
Fortis cultivativo, earthenware, steel, glass
Natural and manufactured environments coexist within contemporary urban settings. City parks and botanical gardens are thoughtfully integrated into residential developments and commercial centers. These man-made garden atmospheres seem to emphasize an underlying desire to escape the hectic stress of everyday urban life by surrounding oneself with beautiful, natural environments. 
Incrementun multi, earthenware, steel, cast glass
Evoco vita, earthenware, steel, cast glass, fused glass
The imagined hybrids represent the need for balance in our everyday lives. Parallels can be drawn between industry and work, and nature and pleasure as society strives for professional success and personal happiness.
